Published
in the “Official Gazette of BiH”, no. 29/08.
Pursuant
to Article V para. 4 Annex 8 of the General Framework Agreement for Peace in Bosnia and Herzegovina
and Article 39 para. 1 of the Rules of Procedure of the Commission to Preserve
National Monuments, at a session held from 3 to 9 July 2007 the Commission
adopted a
D E C I S
I O N
I
The
historic building of the Cathedral Church of the Dormition of the Virgin with
movable heritage in Tuzla is hereby designated as a National Monument of Bosnia
and Herzegovina (hereinafter: the National
Monument).
The
movable property referred to in para. 1 of this clause consists of a collection
of 21 icons forming an integral part of the iconostasis, Christ's tomb, a large
crucifix and two thrones.
The
National Monument is located on a site designated as cadastral plot no. 557
(new survey), cadastral municipality Tuzla II, Municipality Tuzla, Federation
of Bosnia and Herzegovina, Bosnia and Herzegovina.
The
outbuilding in the north-east corner of plot no. 557 and the building housing
the Serbian Orthodox parish of Tuzla,
also on plot no. 557, to the north of the church, are not subject to the
provisions of this Decision as a national monument.
The
provisions relating to protection and rehabilitation measures set forth by the
Law on the Implementation of the Decisions of the Commission to Preserve
National Monuments, established pursuant to Annex 8 of the General Framework
Agreement for Peace in Bosnia and Herzegovina (Official Gazette of the
Federation of BiH nos. 2/02, 27/02 and 6/04) shall apply to the National
Monument.
II
The
Government of the Federation of Bosnia and Herzegovina (hereinafter: the
Government of the Federation) shall be responsible for providing the legal,
scientific, technical, administrative and financial measures necessary for the
protection, conservation and presentation of the National Monument.
The
Commission to Preserve National Monuments (hereinafter: the Commission) shall
determine the technical requirements and secure the funds for preparing and
setting up signboards with basic details of the monument and the Decision to
proclaim the property a National Monument.
III
To ensure
the on-going protection of the National Monument, the following protection
measures are hereby stipulated, which shall apply to the area defined in
Clause 1 para. 3 of this Decision.
-
all works are prohibited
other than research and conservation and restoration works, routine maintenance
works, and works designed to display the monument, with the approval of the
Federal Ministry responsible for regional planning and under the expert
supervision of the heritage protection authority of the Federation of Bosnia
and Herzegovina,
-
during the course of
restoration and conservation works and those designed to present the property,
it is essential that the original appearance of the property be retained, using
original materials and methods of treating them and original building methods.
The
following protection measures are hereby stipulated for the movable
heritage referred to in Clause 1 para. 2 of this Decision (hereinafter: the
movable heritage):
-
the display and other
forms of presentation of the movable heritage in Bosnia
and Herzegovina shall be carried out subject to
conditions to be stipulated by the ministry of the Federation of Bosnia and Herzegovina
responsible for culture,
-
oversight of the
implementation of the measures to protect the movable heritage shall be
exercised by the ministry of the Federation of Bosnia and Herzegovina responsible for
culture.
IV
All executive
and area development planning acts not in accordance with the provisions of
this Decision are hereby revoked.
V
Everyone,
and in particular the competent authorities of the Federation of Bosnia and
Herzegovina, the Canton, and urban and municipal authorities, shall refrain
from any action that might damage the National Monument or jeopardize the
preservation and rehabilitation thereof.
VI
The
removal of the movable heritage items referred to in Clause 1 of this Decision
(hereinafter: the movable heritage) from Bosnia and Herzegovina is
prohibited.
By way of
exception to the provisions of paragraph 1 of this Clause, the temporary
removal from Bosnia and Herzegovina
of the movable heritage for the purposes of display or conservation shall be
permitted if it is established that conservation works cannot be carried out in
Bosnia and Herzegovina.
Permission
for temporary removal under the conditions stipulated in the preceding
paragraph shall be issued by the Commission to Preserve National Monuments, if
it is determined beyond doubt that it will not jeopardize the movable heritage
in any way.
In
granting permission for the temporary removal of the movable heritage, the
Commission shall stipulate all the conditions under which the removal from
Bosnia and Herzegovina may take place, the date by which the items shall be
returned to the country, and the responsibility of individual authorities and
institutions for ensuring that these conditions are met, and shall notify the
Government of the Federation of Bosnia and Herzegovina, the relevant security
service, the customs authority of Bosnia and Herzegovina, and the general
public accordingly.
VII
The
Government of the Federation, the Federal Ministry responsible for regional
planning, the Federation heritage protection authority, and the Municipal
Authorities in charge of urban planning and land registry affairs, shall be
notified of this Decision in order to carry out the measures stipulated in
Articles II to I of this Decision, and the Authorized Municipal Court shall be
notified for the purposes of registration in the Land Register.
VIII
The
elucidation and accompanying documentation form an integral part of this
Decision, which may be viewed by interested parties on the premises or by
accessing the website of the Commission (http://www.aneks8komisija.com.ba)
IX
Pursuant
to Art. V para 4 Annex 8 of the General Framework Agreement for Peace in Bosnia and Herzegovina,
decisions of the Commission are final.
X
This
Decision shall enter into force on the date of its adoption and shall be
published in the Official Gazette of BiH.
This
Decision has been adopted by the following members of the Commission: Zeynep
Ahunbay, Amra Hadžimuhamedović, Dubravko Lovrenović, Ljiljana Ševo and Tina
Wik.
No: 06.1-02-28/06-6
4 July 2007
Sarajevo
Chair of
the Commission
Dubravko
Lovrenović
E l u c i
d a t i o n
I – INTRODUCTION
Pursuant
to Article 2, paragraph 1 of the Law on the Implementation of the Decisions of
the Commission to Preserve National Monuments, established pursuant to Annex 8
of the General Framework Agreement for Peace in Bosnia and Herzegovina, a
“National Monument” is an item of public property proclaimed by the Commission
to Preserve National Monuments to be a National Monument pursuant to Articles V
and VI of Annex 8 of the General Framework Agreement for Peace in Bosnia and
Herzegovina and property entered on the Provisional List of National Monuments
of Bosnia and Herzegovina (Official Gazette of BiH no. 33/02) until the
Commission reaches a final decision on its status, as to which there is no time
limit and regardless of whether a petition for the property in question has
been submitted or not.
On 14
February 2006 the Serbian Orthodox parish of Tuzla
submitted a petition to the Commission to Preserve National Monuments to
designate the Cathedral Church of the Dormition of the Virgin in Tuzla as a national
monument of BiH.
Pursuant
to the provisions of the law, the Commission proceeded to carry out the
procedure for reaching a final decision to designate the Property as a National
Monument, pursuant to Article V para. 4 of Annex 8 and Article 35 of the Rules
of Procedure of the Commission to Preserve National Monuments.
II – PROCEDURE PRIOR TO DECISION
In the
procedure preceding the adoption of a final decision to proclaim the property a
national monument, the following documentation was inspected:
-
Data on the current
condition and use of the property, including a description and photographs,
data of war damage, data on restoration or other works on the property, etc.
-
Historical, architectural
and other documentary material on the property, as set out in the bibliography
forming part of this Decision.
The
findings based on the review of the above documentation and the condition of
the property are as follows:
1. Details of the property
Location
The Cathedral Church
of the Dormition of the Virgin is located in the central urban area of Tuzla, in the quarter of the town known as Srpska Varoš, in
Đorđe Mihajlović street,
east of the City Park.
It is
located on a site designated as cadastral plot no. 557 (new survey), cadastral
municipality Tuzla II, Municipality Tuzla, and is the property of the Serbian
Orthodox parish of Tuzla.
Historical information
In his
work entitled Tuzla i njena okolina u XVI vijeku (Tuzla and its Environs
in the 16th century, Sarajevo, 1975, 194, 199, 200), with reference to
information from the 1548 Census of the Zvornik Sanjak, Adem Handžić writes
that in the first half of the 16th century seven mahalas took shape in Gornja
(Upper) Tuzla, five of which were Muslim: the Mahala of the Hajji Iskender
Friday mosque, the Mahala of the mosque of Hajrudin, emin, the Mahala of the
mosque of Alija, amaldar, the Mahala of the mosque of Hasan, son of Alija, the
Drakčin mahala, and two were Christian: Mahala Varoš and Mahala Dvorište.
In his
work entitled “O poreklu stanovništva tuzlanske oblasti” (On the Origins of the
Population of the Tuzla District, Jnl. of the Geographical Society,
VII-VIII, Belgrade, 1922), Risto Jeremić observes that the fall of Turkish rule
in Hungary and Serbia, the years of famine and resettlement in Polimlje,
Montenegro, Herzegovina, Dalmatia, and Central and Western Bosnia, drove people
into the uninhabited Tuzla district. In the 18th century, not only Muslims and
Croats but also many Serbs moved into north-eastern Bosnia
and the region of the Tuzla
captaincy. It was then that the Serb families of Trifković, Đuranović,
Jovanović, Ristić, Todić, Crnogorčević, Jakšić and others settled in Serbia.
These Serb families and the Tzintzars brought trade to Tuzla and gave it a boost.
In the
first half of the 18th century Serb artisans and merchants began to purchase
land from the pasha of Tuzla
and to build houses below Trnovac and Kolobara. For 50 to 100 groschen the
pasha gave them a written tapija (title deed) conferring on them title to land
with the right to built a house. The wealthier merchants (the Kaljalović,
Mihajlović, Crnogorčević, Jovanović and other families) built their houses
close to the town. The first to receive a permit to build a two-storey house
was the merchant Jovan Jovanović.
The
Serbian varoš is referred to in Borko Ristić's notes (Sjećanja na staru
Tuzlu, prema zapisima Borke Ristića sredio Jovan Vujatović [Memories of Old
Tuzla, from notes by Borko Ristić, ed. Jovan Vujatović; m/s, Archives of Tuzla)(1).
In the
1860s, there were few Catholic houses in the varoš, as noted by Živko
Crnogorčević in his Memoirs(2).
The
reforms carried out in the Ottoman Empire in the mid 19th century made it
easier for Tuzla's Orthodox Christians to obtain imperial firmans to build
churches (the 1839 Hatt-i Şerif of Gülhane granting equality and freedom of all
religious confessions in Turkey, and the 1856 Hatt-i Hümayun, a new
constitutional law for the Bosnian vilayet, which among other provisions
granted the Orthodox Christian church in Turkey the protection of international
law). Before the new Cathedral church was built in Tuzla, the Serb school and the so-called ćelija
(chapel) beside it were used for religious worship. Evidence that the Serb
school in Tuzla was already in existence prior
to 1831 is to be found in the records of the perpetual sarandars in the old
Orthodox church in Sarajevo, noting that in 1831
a former teacher from Tuzla,
Avram Simić, was enrolled.
At the
same time as the headquarters of the Zvornik kaimakam(3) was transferred from Zvornik to
Tuzla, in 1852, the episcopal see was also transferred from Zvornik to Tuzla,
and the eparchy became known as the eparchy of Zvornik and Tuzla(4).
Since
there was no bishop's residence when the see was transferred to Tuzla, Metropolitan
Agatangel (1848-1858) resided in the house of hatji-priest Marko. Land was
purchased from Petra, the mother of Maksim Đukić
(this is the site where the Cathedral
Church now stands), to
build a bishop's residence within which premises would be set aside for
religious worship. Materials, stone and other building materials and slaked
lime, were procured. The works were carried out by a craftsman by the name of
Josip Kozina, of Slimen near Travnik, while parishioners helped as labourers. The
ground floor was built of stone, and the first floor was half-timbered, with
the building itself resting on oak pile footings. Once the property was
complete, the ground floor housed a school, and later, from 1854 on, a church;
the first floor had six spacious rooms for the bishop, dean, secretary and
guests. After the ground floor of the bishop's residence was converted into a
chapel dedicated to the Dormition of the Virgin, and an altar was erected there
with a consecrated antimensium, a separate wattle-and-daub cottage was erected
east of the church to house the school, with four rooms, two for the teacher
and two classrooms.
During
the time of Metropolitan Pajsije (who moved to Tuzla
from Vidin in
1868), the bricks and 300 loads of slaked lime that had been made ready in 1865
to build the church were used, despite opposition from the church
commissioners, to build a new Metropolitan's palace, in the spring of 1869. After
this was complete a school was also built, with an inscription on the facade:
"Serb National School
1873" (this building later housed the Sokolana).
It took
eight years to build the Cathedral
Church, from 1874 to
1882. The parish of Tuzla
raised funds for several years to build the new church: in 1878, when church
the commissioners were Jovan Jovanović, Niko Petrić-Mihailović, Lazo
Kaljalo-Đokić, Risto Jovanović-Horoščić, Živko Crnogorčević and Manojlo
Blagojević, it had 4,000 gold ducats at its disposal, and in spring 1874 it had
6,000 gold ducats as well as the building materials. Funds in the sum of 15,000
groschen from the imperial coffers were received from the Sultan. The plan for
the new church was drawn by engineer Anton Linardović (a native of Sinj), who
was employed by the District Authority (the Zvornik sanjak) and was engaged
mainly in road building. He was paid 15 ćesarian ducats in gold for his plans. As
well as the Cathedral Church in Tuzla,
Linardović also drew the plans for the Catholic church in Trnovac. The
construction of the church was entrusted to Tasa Naumović of Šabac (who built
the church in Brčko), who brought in craftsmen headed by a builder named Risto
Nedeljković, a native of Ohrid, who acted as works foreman. A total of 300,000
bricks and 250 loads of slaked lime had been procured. In addition, the church
commissioners gave the works contractor, Tasa Naumović, 6,000 gold ducats (paid
in twelve instalments of 500 ducats each), the stone from the old church
(Agatangel's konak or residence), and any other usable material. The old church
was demolished before work began on the new Cathedral Church.
It was then agreed to make a temporary iconostasis "of basic
carpentry." The building contract was notarized in the Šabac court, with
the brothers Đoko and Stevo Topuzović acting as guarantors for Tasa Naumović.
The
ceremony of dedication of the foundations of the new church was held on 6 May
1874 by Metropolitan Dionisije II, in the presence of the mutesarif, Mustafa
pasha, and other officials(5).
In the
autumn of 1875, before the mason Risto had managed to complete the masonry of
the great dome and work had to be suspended because of the onset of winter, the
dome collapsed.
In 1875,
work on the church had to be suspended because of the insurrection in Herzegovina.
During
his travels around Bosnia
in 1879, Pavel Apolonović Rovinski wrote that the Orthodox church was being
built and that religious services were being held in a small school. He also
provided a description of the varoš in Donja (Lower) Tuzla(6).
Following
the occupation of Bosnia and
Herzegovina, the Church Commission entered
into an agreement with Risto Nedeljković to continue the building works at a
daily wage of 10 florins. His assistant, with a daily wage of 5 florins, was
the Italian Leopold Zafani. The works were supervised by military engineers. The
Emperor Franz Joseph I gave 600 florins for the building works. In August 1882,
the church was completed and dedicated to the Dormition of the Virgin, with a
chapel beside the altar dedicated to St Sava. The consecration was conducted by
Metropolitan Dionisije Ilijević.
The first
renovation of the Cathedral
Church was carried out in
1909/1910(7). The
consecration of the new iconostasis took place in May 1910. Before the liturgy,
the church was consecrated by Metropolitan Evgenije Letica of Dabar Bosnia, who during the liturgy, with the
assistance of Metropolitan Petar Zimonjić of Zahum and Herzegovina and Metropolitan Vasilije Popović of
Banja Luka, then installed Ilarion Radonić as
Metropolitan of Zvornik and Tuzla.
The next
renovation of the church was carried out in 1925. The church was then
consecrated on the Feast of the Dormition, 15 August 1925, by Patriarch
Dimitrije Pavlović. The next renovations were in 1968 and in the 1990s.
2. Description of the property
In terms
of layout, the Cathedral Church in Tuzla
belongs to the type of single-nave church with parvis, nave and altar area.
Architecturally,
it is in the neo-classical style, with a rectangular ground plan and five
neo-Byzantine domes on drums (four at the corners and one central dome
above the nave), a semicircular apse, a single row of windows and a bell tower
over the entrance to the church.
The
church lies east-west, with a deviation of approx. 20 degrees, with the main
entrance at the west end and the apse at the east end.
The former
side entrances midway along the north and south walls were converted to
different use after round-arched niches were added (after 1988) to hold
candles. A door was fitted in the round-arched wall of the candle-burning niche
in the north wall, just before its junction with the north side wall of the
church; this door leads into the nave. There is no door in the wall of the
south candle-burning apse.
Given
that the ground plans of the blueprints dating from 1966 and 1985 (see list of
projects) show a door to the south of the apse, which no longer exists (2007),
it was presumably walled up after 1988. Instead of this door, a new door was
added in the wall to the north of the main apse, leading directly from the
outside into the altar area.
The
building measures approx. 28.64 m long and 13.55 m wide on the outside. Its
height, measured from ground level, is as follows:
-
to top of roof cornice or
eaves of the roof above the nave, approx. 12 m,
-
to the tops of the four
side domes, approx. 20.50 m,
-
to the top of the central
dome above the nave, approx. 28.00 m
-
to the top of the dome of
the bell tower, approx. 34.50 m.
Each dome
is topped by a gilded metal cross on an orb.
The
structural system of the building consists of solid walls, piers, arches and
vaults. The material used was solid brick.
The
outside side walls are about 1.30 m thick, while the outside west wall (the
entrance wall), the apse wall, and the ground floor walls of the tower are
about 0.95 m thick. The walls of the drum of the main dome are approx. 70 cm
thick. The walls are plastered inside and out.
Above the
central part of the nave is the central dome supported by four arches, two
transverse and two longitudinal (this reduces the lateral "daylight"
span of the nave from approx. 10 m to 8.10 m. The height from floor level to
the apex of the rebated arch is approx. 11.25 m). The inside diameter of the
central dome is approx. 8.10 m. The drum is 4.30 m in height and had 16
round-arched windows 1.00 m wide and 2.70 m high. On the outside, the drum of
the central dome is regularly sixteen-sided, whereas the drums of the four
smaller corner domes are octagonal on the outside. The drums of the corner
domes each have eight round-arched windows, 0.60 m wide x 2.10 m high.
The
church has a multi-paned pitched roof, with all the roof planes, all the domes,
the apse, the roof of the bell tower and all the flashings clad with sheet
copper. The roof frame is timber. Between the flanking corners of the church
the side walls terminate in a moulded roof cornice with a row of arcades.
The
semicircular apse at the east end of the building is approx. 4.90 m wide
and 3.40 deep on the inside. It has a semidome roof, and measures approx. 16.50
m in height on the outside, to the apex of the dome.
The parvis
is divided from the nave by a colonnade of massive octagonal pillars. A
double-flight 21-step staircase in the northern part of the parvis leads to the
choir gallery. This occupies the entire west end of the church, above the
parvis, at a height of approx. 5.70 m above floor level. It is of irregular
shape, with a width of approx. 5.50 m. A door in the axis of the west side wall
of the church leads via a wooden staircase into the bell tower.
The
corners of the facades are accentuated by simply moulded pilasters
running the entire height of the building from the socle to the roof cornice. The
pilasters project outwards from the wall face by approx. 10 cm, and are approx.
85 cm wide. The windows are set in a single row, and are made of wood. They are
round-arched, and measure approx. 1.10 x 3.50 m. They are fitted on the outside
with decorative wrought-iron grilles.
The main
portal is at the west end of the church. It measures approx. 1.40 x 3.90 m
and is fitted with solid oak, round-arched double doors. The frame of the portal
is simply moulded. To the left and right of the bell tower at the west
(entrance) end of the church are half-apses with quarter-calottes.
The floor
of the church is of polished terrazzo.
The bell
tower is square in plan, measuring approx. 4.22 x 4.22 m. The walls of the
bell tower are approx. 95 cm thick, and the interior, containing a wooden
staircase, measures approx. 2.15 x 2.15 m. The bell tower is topped by a
timber-frame roof. The drum of the bell tower is a regular octagon in plan, and
is approx. 4.20 m in height, with a round-arched window on each side, measuring
approx. 0.80 x 2.20 m. The gallery where the bell is mounted is square in plan,
with on each side a round-arched opening measuring approx. 1.10 x 3.10 m.
The walls
of the church are decorated with various floral and geometric ornaments in
secco technique. The latest interior refurbishment, when the church acquired
its present appearance, was carried out in or about 1968. The lower part of the
walls are clad with wooden panelling fitted with seats. The remainder of the
walls in the nave and apse are decorated with various floral and geometric
ornaments. The vault of the dome is painted with a symbolic design of the azure
heavens with gold stars, and the pendentives are decorated with figures of the
evangelists with their symbols. The dome in the apse is painted with the figure
of Christ Pantocrator.
The iconostasis
in the church was made between 1909 and 1910. The wood carving on the
iconostasis partition and the gilding on the carved wood was the work of "one
Vuković, a Serb from Pest" (Kašić,
1982, 31). The icons on the iconostasis partition are the work of the
painter Marko Gregović of Mostar.
The
iconostasis features twenty icons and the Royal Doors with a scene of the
Annunciation.
The icons
are mounted in a massive wooden frame separating the altar partition from the
nave of the church. The frame is decorated with shallow arcades painted gold
and blue on the inside. The frames of the icons, which are in oils on canvas,
are also painted gold.
Compositionally,
the iconostasis can be divided into three horizontal tiers.
-
The lower tier, from north
to south, contains icons with figures of the following saints and scenes:
1. St.
Nicholas the Miracleworker
2. St.
Stephen
3. The
Holy Virgin
4. Royal
Doors with the scene of the Annunciation
5. Christ
Pantocrator
6. The
Archangel Michael
7. St John the Baptist (the
Precursor)
-
The second tier, from
north to south, contains icons with the following scenes:
1. The
Transfiguration
2. The
Dormition of the Virgin
3. The Nativity
of the Virgin
4. The
Last Supper
5. The
Nativity of Christ
6. The
Ascension of Christ
7. The
Baptism of Christ
-
The third tier, from north
to south, contains icons with the following scenes:
1. Emperor
Constantine and Empress Helena
2. The
Apostles Peter and Paul
3. The
Evangelists Matthew and Mark
4. The
Ascension of Christ
5. The
Evangelists Luke and John
6. SS.
Demetrius and George
7. SS.
Cyril and Methodius
Christ's Tomb
The
catafalque representing the Tomb of Christ is located in the north-west corner
of the church. It measures approx. 165 x 169 cm wide and 375 cm in height. It
is made of wood.
The
plinth is rectangular, with solid wooden sides painted in a light tone with
richly gilded moulded beading. The scene of the Deposition in the Tomb is
painted on the front of the Tomb.
A
baldaquin supported by four pillars stands on the plinth. The baldaquin is also
painted in a light tone and gilded. The baldaquin was formerly topped by a
crucifix, which is now on the altar table in the altar area of the church. The
crucifix measures 116 x 77 cm and is of gilded wood. The figures of the
evangelists are painted at the ends of the arms, and below the cross are the
figures of the Virgin and St. John.
The crucifix bears the crucified body of Christ with a plaque bearing his
initials above his head and a skull at his feet.
The Great
Friday (Good Friday) ritual consists of taking from the altar the epitaphios
(winding sheet) depicting Christ after being removed from the cross and
prepared for being laid in the tomb, and placing it onthe catafalque, where the
congregation venerate it.
Throne with the figure of St.
Sava the Serb
The
throne stands on the south side of the nave of the church, and lies
south-north. It measures approx. 183 x 73 cm, with the arms at a height of 115
cm. It is made of wood, with a painting in oils on canvas of St. Sava the Serb
as Archbishop mounted on the backrest. The painting measures 103 x 53 cm and is
the work of Marko Gregović of Mostar, dating from 1909 to 1910, while the
wooden part of the throne was probably made by the same Vuković as is referred
to above. The saint is depicted standing, wearing his bishop's robes and mitre.
He is holding a cross in his right hand and the open Gospel in his left.
During
religious services, the Metropolitan is seated on the throne.
The
throne is rectangular, with three sides enclosed by wood and the fourth, the
entrance to the seat, left open. The wooden surfaces are painted reddish-brown
and decorated with moulded gilded beading. A single step leads to the seat,
which has a round-arched backrest topped by a crown.
Throne with the figure of St.
Lazar the Serb
The
throne stands on the north side of the nave of the church, and lies south-
north. It measures approx. 183 x 73 cm, with the arms at a height of 115 cm. It
is made of wood, with a painting in oils on canvas of St. Lazar the Serb as
Archbishop mounted on the backrest. The painting measures 103 x 53 cm and is
the work of Marko Gregović of Mostar, dating from 1909 to 1910, while the
wooden part of the throne was probably made by the same Vuković as is referred
to above. The saint is depicted standing, wearing the long robe of the ruling
classes with a red, fur-edged cloak over it. He has a crown on his head, and is
holding a cross in his right hand and an orb in his left.
During
religious services, the Metropolitan is seated on the throne.
The
throne is rectangular, with three sides enclosed by wood and the fourth, the
entrance to the seat, left open. The wooden surfaces are painted reddish-brown
and decorated with moulded gilded beading. A single step leads to the seat,
which has a round-arched backrest topped by a crown.
3. Research and conservation and
restoration works
The
exploitation of Tuzla's
salt deposits has led to subsidence, and the first cracks on the church
appeared in 1956. By 1964 they had already reached alarming
proportions.
In 1966
the Directorate for Subsidence Affairs in Tuzla
invested in drawing up a repair project for the Orthodox church in Tuzla, which was designed
to slow down the process of subsidence. The proposed solution was expected to
provide the property with interim stability for a period of some 10 to 15
years. The project was drawn up by the Institute for Architecture and Town
Planning in Sarajevo,
with civil engineer Dr. Vjekoslav Marendić as chief designer. According to the
technical report of this project, subsidence in Tuzla had caused the church to become
deformed, as evidenced by the cracks in the building and by the tower becoming
detached from the church. The deformation had become a serious threat to the
stability of the building. The repair project laid the emphasis on the problem
of establishing the church as a spatial monolith in the face of external
influences, and the solution proposed was to reinforce the building spatially
using high-valency steel, using the patent of engineer Branka Žeželj, the then
head of the Federal Institute for Materials and Construction in Belgrade. The
reinforcements were laid transversally and longitudinally, but since the church
had no transverse masonry stiffener, in order to achieve balance in the
reinforcements, collar beams were introduced to take the tension stresses. At
level 3, collar beams consisting of double welded 2U 20 steel profiles were
used, while at floor level, reinforced concrete beams were used. The process of
reinforcement also required the walls to be drilled; after installing the ties
the drill holes were sealed off. From the bottom upwards, the reinforcements
were installed at seven levels: 1) at ground-floor floor level; 2) level with
the floor of the choir gallery; 3) level with the foot of the arches in the
nave; 4) level with the supports of the semicalotte above the apse; 5) level
with the base of the drum; 6) midway up the drum; and 7) level with the topmost
cornice of the drum (on which the dome rests). In all, about 7,736 kg of steel
were introduced. According to the designer’s bill of costs and bill of
quantities, the repair works cost 11,176,185.00 old dinars.
After
completion of these repair works, no tendency of the cracks to widen or
increased deformation were observed on the church until 1982. Permanent
markers were installed, and their coordinates were measured each year to
monitor any shifts. By 1982, serious damage and deformation were again
beginning to appear, and the Municipal Buildings Institute appointed a
commission of experts (civil engineers and geologists) which surveyed the
church and reported as follows in May 1984 (the following is quoted from
the expert team's report):
-
"cracks can be seen
in the entrance area of the building at the junction between the tower and the
ground floor side annexes
-
a major crack was observed
in the floor of the main church nave, extending the full width of the building
and accompanied by lifting of the soil. This crack also partly extends into the
side bearing walls of the building
-
a vertical crack was
observed at the junction between the main church nave and the altar area
-
cracks were observed in
the vaults and arches of the round-arched niches to the sides of the altar
-
a crack was observed in
the church choir at the junction between the main body of the church and the
tower
-
in addition to the above
damage which, given the size of the cracks (from 1.0 to 10 mm), may be regarded
as major cracks, there are numerous cracks ranging from 0-1.0 mm which may be
regarded as insignificant by comparison with the more obvious ones
-
in the light of the
condition, extent and nature of the damage, the Commission is of the view that
the building is not at present at risk as regards its stability and
functionality."
The Institute
of Geotechnical Engineering of the Civil Engineering Institute of the Faculty
of Civil Engineering in Zagreb was hired in June 1985 to carry out a
geomechanical study the purpose of which was to identify the nature and depth
of the foundations and the composition of the soil beneath the foundations,
using the parameters obtained to determine the method of repairing the
building. A probe some 2 metres deep was dug along the south wall of the church
on the outside, and one test drilling was carried out to determine the
composition of the soil.
The probe
provided details of the foundations of the property:
"The
depth and nature of the foundations of the building were identified in the
probe. The wall of the church ends at a depth of 0.64 m where stone slabs some
10 cm thick appear, found down to a depth of 1.9 m. The width of the stone slab
footings indicated in the drawing of the test trench is an estimate, since no
excavations were carried out inside the church. Below the stone slabs a buffer
layer of gravel 15 cm thick was found.”
"During
excavations, small wooden pilots driven in alongside the foundations were
found. A description of the foundations of the church was found in the church
documentation, reading: ‘and then proceeded to dig out the foundations for the
new church to a depth of half a man’s height. Before the pilots were driven in,
unslaked lime and sandy gravel were strewn over the foundations to a depth of
20 centimetres, with 20 cm oak beams over it, two longitudinally, and pieces
over them of the same thickness, which were nailed together, and then again
covered with lime and gravel thick enough to level the foundations and dry the
beams.’ Although this description differs from what was found on excavating the
test trench, the foundations were not dug out, since repairs will require them
to be removed completely.”
The
details of the soil composition were as follows:
“The
terrain is horizontal on the site in question. The surface layer, to a depth of
1.40 m, is a fill of stone, clay and gravel. From 1.40 m to a depth of 3.30 m,
a layer of clay was found of medium to low plasticity, of average
compressibility consistency. Below this layer was a layer of clayey gravel, of
average compactness, from 3.30 to 4.60. From a depth of 4.60 to the depth of
the drill, marl was found. The level of the water table at the time of the
drilling (March 1985) was at a depth of 1.80 m.”
In 1985,
the fund for repairs to damage caused by and alleviating the causes of
subsidence in the city of Tuzla as a result of the exploitation of the salt
deposits financed a study report on investigative works for the repair of the
Orthodox church in Tuzla, compiled by the Civil Engineering Institute of the
Faculty of Civil Engineering in Zagreb. The chief designer was civil engineer
Dr. Dražen Aničić. The technical description in Section 4 of the initial repair
project provides certain observations on the effects of the previous repair
works in 1966-1967 and guidelines for further repairs:
“The
Orthodox church in Tuzla
was last repaired in 1967-68. The repairs were carried out after the effects of
subsidence caused by the exploitation of the salt deposit were observed on the
building. The technical documentation from the time of these repairs could not
be found. On the basis of the visible structural elements and repairs and
information gained from those involved in repairs to other buildings at that
time, it was established that the property had been reinforced in both
orthogonal directions using pre-tensioned IMS 7 Ø 5 mm cables that were
reinforced to a force of 100 kN. The sockets of these cables were then sealed
with plaster on the facades, as can still be seen, while inside the church they
were sealed off with plastic tubes. During investigative works in 1985 it was
found that the anti-corrosion treatment of the wires had been carried out by
injection a cement suspension, but that the work had not been carried out
properly, so that the corrosion-proofing was inadequate. One cable by the main
entrance to the church on the outside was completely corroded (the plastic tube
had ruptured), while the cable that was accessible from the choir was
incompletely injected. To prevent the masonry shifting as a result of the
reinforcement cables, horizontal ties of steel U profile (two each) had been fitted
in the church, joined by splices and the joints welded. The ties are in good
condition. There are apparently also cables under the church floor. These
repairs proved satisfactory in that the church suffered no further major damage
between 1968 and 1984, despite significant horizontal shifting.
The
repairs envisaged by this project should provide the church with lasting
protection from the effects of subsidence by compensating for any differential
subsidence that may occur and keeping the church in a vertical position. As a
result, it is proposed that the repairs be carried out in four stages:
Stage 1 –
adding to the existing system of reinforcements in the church by adding new
steel reinforcements and replacing any dilapidated ones
Stage 2 –
introducing double foundations below the church to make it possible to rectify
the position of the church by means of hydraulic pressures
Stage 3 –
levelling the church and filling in spaces that have opened up in the
foundations
Stage 4 –
repairs to the interior, injection of cracks and finishing works. Interim
adjustment of the level of the building, depending on the soil deformation
beneath it.”
“This
initial project covers the design of the foundation structure and system for
compensating for the differential subsidence of the building. The system
consisting of hydraulic presses is designed to bring the foundations to a
horizontal position. The extraction of salt over a long period has resulted in
subsidence, which poses a threat to superstructures. From the measurements
taken to date, the maximum differential subsidence of the Orthodox church is
approx 25 cm longitudinally and 5 cm transversally. The building is in a zone
where the absolute settlement between 1956 and 1978 amounted to about 1.0 m. The
extent of subsidence from 1996 is projected to be 2 to 3 m, which means that
differential settlement of the building of about 30 cm can be expected.”
The
solutions proposed in this project to repair the building provided for a period
of levelling the building by compensation of the differential subsidences,
while allowing for absolute subsidence to ensure that the building retained the
same position in relation to the surrounding soil.
Investigative
works revealed that the foundations of the building consisted of banded
footings consisting of stone slabs. The level of the base of the footings was
at a depth of about 2.0 m, and the height of the foundation structure was about
1.4 m. The original foundations had to be removed in their entirety as part of
the repairs. After reinforcing the building, work began on removing the old
foundations and building new ones.
The new
foundations consisted of two reinforced concrete beams with openings into which
presses were inserted.
In stage
1, the upper foundation beam was poured. The excavation and concreting was
carried out by bedding. The excavation of the communication channels was
carried out in line with the pouring of the foundation beam, so that not all
the communication channels were dug out at the same time.
On
completion of the first stage, work began on deepening the communication
channels and digging out the beddings for the second foundation beam. These
beddings were longer than the previous ones, and were dictated by the bearing
quality of the upper foundation beam. It was necessary to insulate the
foundation beams.
On
completion of the lower foundation beam and finishing the communication
channels the presses were installed.
The
system for communicating differential subsidences consisted of 724 presses each
with a capacity of 1000 kN.
In regard
to the weight of the various parts of the building and the extent of
differential subsidences, the groups of presses were linked into separate
systems. The building was levelled in two stages.
In the
first stage the transverse profiles were adjusted to a horizontal position. The
differential subsidence in this direction ranged from 0.7 cm in the area of the
bell tower to 5.8 cm in the wall area.
The
gradual compensation for the differential subsidence had to be carried out
simultaneously for the entire building. During the gradual raising of the
building, metal underpinnings (plates) had constantly to be inserted in the
space so created between the beams.
In the
next stage, the longitudinal profiles were adjusted to a horizontal position.
The maximum differential subsidence in this direction was 23.2 cm.
During
levelling of the building, geodetic measurements were constantly taken and the
above-ground and foundation structure was kept under observation in line with
the monitoring programme. The findings of these observations dictated all the
activities associated with levelling the building.
Once the
building was levelled, the space between the foundation beams was filled with
concrete.
4. Current condition of the
property
During an
on-site inspection, the following was ascertained:
The
property is in good structural condition as a result of complex repair works to
stabilize and manage the process of differential subsidence of the foundations.
Horizontal
cracks were observed during the on-site inspection in the parapet footings of
the south apse extension.
The roof
cladding of sheet copper was damage in parts during the 1992-1995 war.
The
plaster has fallen away from the exterior facades in several places.
5. Current condition of the
movable heritage
Iconostasis
The
bearing wooden beams are sound and stable, but show signs of considerable
soiling from dust and wax. Some of the structural elements holding the icons on
the iconostasis have given way from use.
Icons
The
protective coating of the icons is covered with a thick layer of soot and dust,
particularly those on the upper tiers.
Christ's tomb, the large crucifix
and the two thrones
These are
in good condition.
6. Specific risks
Subsidence.
III – CONCLUSION
Applying
the Criteria for the adoption of a decision on proclaiming an item of property
a national monument (Official Gazette of BiH nos. 33/02 and 15/03), the
Commission has enacted the Decision cited above.
The
Decision was based on the following criteria:
For the church
A. Time frame
B. Historical value
C. Artistic and aesthetic value
C.i. quality of workmanship
C.ii. quality of materials
C.iii. proportions
C.iv. composition
C.vi. value of construction
E. Symbolic value
E.i. ontological value
E.ii. religious value
E.iii. traditional value
E.iv. relation to rituals or ceremonies
E.v. significance for the identity of a group of
people
F. Townscape/ Landscape value
F.i. relation to other elements of the site
F.ii. meaning in the townscape
G. Authenticity
G.iii. use and function
G.iv. traditions and techniques
G.v. location and setting
G.vi. spirit and feeling
I. Completeness
I.i. physical coherence
I.ii. homogeneity
I.iii. completeness
The
following documents form an integral part of this Decision:
-
Copy of cadastral plan,
scale 1:1000, cadastral plot no. 557, cadastral municipality Tuzla II, issued
on 2 March 2007 by the Department of Geodetics and Property Affairs,
Municipality Tuzla, Tuzla Canton, Federation of Bosnia and Herzegovina
-
Transcript of proof of
title no. 1265 (for c.p. nos 447, 448, 450/1, 557, 3033), property of the
Serbian Orthodox parish of Tuzla, c.m. Tuzla II, issued on 2 March 2007 by the
Department of Geodetics and Property Affairs, Municipality Tuzla, Tuzla Canton,
Federation of Bosnia and Herzegovina
-
Photodocumentation
-
photographs of the former
condition of the Cathedral Church in Tuzla
from books listed in the bibliography
-
photographs of the church
taken in 1910, from the archives of Faruk lbrahimović
-
photographs of the current
condition of the Cathedral Church in Tuzla
taken on 4 June 2007 by ethnologist Slobodanka Nikolić and architect Emir
Softić using Canon PowerShot S3IS
-
Project documentation
(from the Archives of the Serbian Orthodox Church in Tuzla)
-
project to refurbish the
Orthodox church in Tuzla,
Institute for Architecture and Town Planning Sarajevo, 1966
-
current condition, Section
1, Institute for Cadastral and Geodetics Affairs of the City of Zagreb, Dept. of Photogrammetry, Zagreb, 1985
-
initial design for apse extensions,
Civil Engineering Institute, Zagreb, Zagreb, 1985
-
report on investigative
works for repairs to the Orthodox church in Tuzla,
Section 3, Civil Engineering Institute, Institute of Geotechnical Engineering, Zagreb, 1986
-
initial repair project
(foundation structure), Section 1, Civil Engineering Institute, Institute of Geotechnical
Engineering, Zagreb,
1986
-
main repair project,
structure above the foundations and architectural component, Section 5, Civil
Engineering Institute, Zagreb, 1986
-
study of pace of work of
the hydraulic system for raising-levelling the property, Civil Engineering
Institute, Institute of Geotechnical Engineering, Zagreb, 1987
-
working design, apse
extension, floor of church, Civil Engineering Institute, Zagreb, 1988
-
study of pace of work of
the hydraulic system for raising-levelling the property, Civil Engineering
Institute, Institute of Geotechnical Engineering, Zagreb, 1988
-
report on survey of
property and additional works, Civil Engineering Institute, Institute of Geotechnical
Engineering, Zagreb,
1988
-
report on content of
moisture in north and south façade walls of the Orthodox church, Institute of Mining Research,
Tuzla, 1989.
Bibliography
During
the procedure to designate the Cathedral
Church of the Dormition of the Virgin with
movable heritage in Tuzla as a national monument of Bosnia
and Herzegovina the following works were
consulted:
1971 Benković, Ambrozije. Tuzlansko područje negda i sada: s
posebnim obzirom na vjerske prilike (opus posthumum) (The Tuzla Area Past
and Present, with particular reference to religious circumstances). Đakovo:
1971
1975 Handžić, Adem. Tuzla i
njena okolina u XVI vijeku (Tuzla
and its Environs in the 16th century). Sarajevo:
Svjetlost, 1975
1977 Serbian Orthodox Eparchy of Zvornik and Tuzla,
Schematism, Tuzla:
1977
1982 Kašić, Dušan. Saborna crkva Uspenja Presvete Bogorodice u
Tuzli (Cathedral Church of the Dormition of the Virgin in Tuzla). Tuzla: 1982
1998 Hadžibegović, Iljas. Etnička struktura stanovništva Tuzle u
vrijeme austrougarske vladavine (1878-1918) (Ethnic Structure of the
Population of Tuzla during the Austro-Hungarian Period [1878-1918]), Papers of
the Institute for History XXIII/24. Sarajevo:
1988, 131-147
2005 Mutevelić, Šefkija. Tuzlanske historijske minijature:
historijski zapisi o Tuzli i okolini od prahistorije do kraja osmanske
vladavine (Historical Miniatures of Tuzla: Historical Records of Tuzla and
its Environs from Prehistoric Times to the End of Ottoman Rule). Tuzla: Archives of Tuzla Canton, 2005
Documentation
from the Archives of the Serbian Orthodox Church in Tuzla
(1) "Outside
the town walls by the Poljska gatehouse was a large field with a sizeable pond
below Trnovac. This pond was known as
Kolobara and occupied much of the area on which the part of town known as the
Serb varoš now stands. The outflow was
by way of the brook known as Marinac, alongside the present-day Belgrade (Bristol)
hotel in Jale. When the Marinac brook burst its banks after rain, the road to
the Poljska gatehouse was cut off. With the opening of the Poljska gatehouse, Tuzla began increasingly
to expand eastwards."
(2) "There
were no more than 30 Catholic households in our varoš, forty years ago that is;
they were artisans, cobblestone makers, furriers, tailors and goldsmiths,
carpenter-builders, and the Štitić and Cvijetić store, later to settle in
Brčko." (Quoted from Crnogorčević, Živko, Memoari, 16).
(3) Senior
representative of the Turkish authorities
(4) The genesis
of the original Zvornik eparchy has been described as follows: "During the
Turkish occupation, when the Metropolitanate of Srebrenica ceased to be, the
part that fell to the Turks probably belongs to the Ariljan Metropolitan, and
the part remaining under Hungarian rule became part of the Srem eparchy. When
this too fell to the Turks in the late 15th and early decades of the 16th
century, it became part of north-eastern Bosnia and Mačva in a new eparchy,
the Zvornik eparchy, which coincided territorially with the Zvornik sanjak and
was based in Zvornik, as the centre of the sandžak. The regions between the
rivers Bosna, Sava and Spreča and Mt. Majevica belonged to this eparchy, with
the whole of the Drina valley on the right bank of the Drina and the Brvenik
kadiluk, as well as Mačva with effect from 1528-1533" (source: Serbian
Orthodox Eparchy of Zvornik and Tuzla, Schematism, Tuzla: 1977, 19).
(5)
"Sunday dawned and the foundations were to be dedicated. The mutesarif,
kadi and Turkish councillers and other officials invited by mutesarif Mustafa
pasha came, as did Metropolitan Dionisije in his chasuble with his crosier and
his mitre on his head. He began by
reciting the Lord's Prayer and the Litany. He took his crosier in one hand, and
a sensor in the other, and immediately began the troparion to St Sava. Dionisije had already prepared a bottle in
which he had inserted a piece of paper on which he had written the necessary,
namely: church of St Sava, in the name of the Sultan, my own name and our
parishioners, and put olives in the same bottle and then the paper, after which
he put the bottle in a metal box and soldered it, and then the said box had
already been laid on top of the altar in the foundations. Then craftsmen Tasa
and Risto made haste as best they could to lay stones, one by one, and mortar,
to build the wall, while the mutesarif and all his men were going nowhere, and
nor was the bishop in his chasuble with the priests and us parishioners, and
there were lots of other people too..." (from Crnogorčević, Živko, Memoari,
81-82).
(6) "The
varoš is to the north-east of the fortress. Its main street is 90 fathoms long
and leads towards the čaršija, and thence down the valley. Parallel with the
high street are another three intersected by shorter side streets. One of these
is called Kolobara, since it runs alongside the bara (marsh). Another side
street is called Pavkuša, after the brook that runs through it. The other
streets have no names. The only differentiation is between the Lower and Upper
varoš. The Upper varoš is at the foot of a hill, and the Lower is much
built-up, with house against house and fence against fence. All that remains
are two widish areas of marshy ground that never dries out. The Orthodox
church, with Metropolitan's palace and a school, is located at the end of the
Lower varoš, beside the marsh." (From Pavel Apolonović Rovinski, Zapažanja
za vrijeme putovanja po Bosni 1879. godina (Notes on Travels in Bosnia in
1879), St Petersburg: 1880).
(7) "It
was then that it acquired its present-day outward appearance, in particular by
replacing the baroque top of the bell tower by a small dome in the spirit of
Byzantine architecture, the impression given by the entire exterior silhouette
of the church. The church was whitewashed, the roof was painted copper colour,
and the crosses on the dome and bell tower were gilded. The interior of the
church was floored with asbestos, painted and adorned with a new artistic
iconostasis. The painting works were by Stevan Subanović, the wooden
iconostasis with gilded carving was made by one Vuković, a Serb from Pest, and the icons for the iconostasis were by the
artist Marko Gregović of Mostar."